Political killings in the contemporary world: Sizwe Bansi is Dead through biopolitical lenses

dc.contributor.authorJayathilake, Chitra
dc.date.accessioned2019-12-20T09:57:39Z
dc.date.available2019-12-20T09:57:39Z
dc.date.issued2018-11-02
dc.description.abstractThis essay offers a reading of South African Anglophone play, Sizwe Bansi is Dead, through biopolitical lenses, with a view to shedding light on dis-embodied political killings prompted by racism in the contemporary world, and to interrogating the means by which these murders are recurrently restructured and justified. Although the play is under the spotlight of scholarly attention, it is scarcely read through biopolitical lenses, especially through Frantz Fanon, Michel Foucault, Ann Laura Stoler and Achille Mbembe’s perspectives related to racism and political death, and by alluding to its significance for the contemporary society. This is where this article departs from the existing scholarship.en_US
dc.identifier.citationJayathilake, Cogent Arts & Humanities (2018), 5: 1537080en_US
dc.identifier.doi10.1080/23311983.2018.1537080en_US
dc.identifier.urihttp://dr.lib.sjp.ac.lk/handle/123456789/8593
dc.language.isoenen_US
dc.subjectdrama; Fugard; Post-colonialism; South Africa; biopoliticsen_US
dc.titlePolitical killings in the contemporary world: Sizwe Bansi is Dead through biopolitical lensesen_US
dc.typeArticleen_US

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