Abstract:
The aim of this study is to inquire into the significance of the socio-cultural background of the
Kolarn theatre. Kolarn is a form of folk drama tradition created by the Sinhalese folk artists. The
Kolarn theatre has been created for the entertainment of the village folk. Themes for Kolarn
have also been collected from the society. Sri Lanka was under colonial rule for nearly three
and a half centuries beginning from the 16th century. During this period, the rural folk in Sri
Lanka suffered many injustices on account of the wanton behavior of those in high positions in
the administration. Since they were unable to openly protest or rise against the unjust rule, they
had to look for other means to express their anger and disapproval of the same. It is under
such circumstances that the Kolarn theatre has come into being. Moreover, they have also
made good use of the experiences they gather from the society. In this way, the KGlam theatre
which serves as a mirror reflecting interesting aspects of the social life of the society at large
has assumed the form of a folk art. Organizing a Kolam performance is a community affair to
which all villagers have to contribute their share. Kolam theatre in some areas of Sri Lanka has
connection with the Gammadu ritual and the Pattini cult. Accordingly, it is clear that the KGlam
theatre has been. in existence as a socio-cultural festival in connection with the religious
aspects. The reason for selecting Kolam theatre for this study among the other form of Sri
Lankan folk play such as Sokari and Nadagam is that it is much closer the rural community
than the other theatre, as an art form performed for entertaining the populace as well as
propitiating certain divinities. In this study, practical observations and interviews are used as the
main tools of data collection. In addition literary sources are also used.
